Rabu, 29 Juni 2011

[C883.Ebook] Fee Download Managing Transitions: Making the Most of Change, by William Bridges

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Managing Transitions: Making the Most of Change, by William Bridges

The business world is transforming. Stories of layoffs, bankruptcy, mergers, and restructuring appear in the news every day. When these changes hit the workplace, the actual situational shifts are often not as difficult for employees and managers to work through as the psychological components that accompany them. Indeed, organizational transitions affect people; it is always people who have to embrace a new situation and carry out the corresponding change.

The job of managing workplace change can be difficult; managed poorly, the result can be disastrous to the morale and stability of the staff. As veteran business consultant William Bridges explains, successful organizational change takes place when employees have a clear purpose, a plan for, and a part to play in their changing surroundings. Directed at managers on all rungs of the proverbial corporate ladder, this expanded edition of the classic bestseller provides practical, step-by-step strategies for minimizing the disruptions caused by workplace change. It is an invaluable managerial tool for navigating these tumultuous, uncertain times.

  • Sales Rank: #4546 in Books
  • Brand: Bridges, William, Ph.D.
  • Published on: 2009-09-22
  • Released on: 2009-09-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .42" w x 7.40" l, .75 pounds
  • Binding: Paperback
  • 192 pages

Review
Bookviews blog, October
“Filled with excellent advice for those in leadership positions who need a clear understanding of what change does to employees and what employees in transition can do to an organization.”

Alaska Journal of Commerce, 12/13/09
“If your giftee has experienced a lot of change this year (or anticipates some in 2010), wrap up Managing Transitions…This book includes thought-provoking quizzes.”�Toronto Globe and Mail, 8/3/10�#7 on the “Bestselling Business Books” list

Sandra Ford, President of the School Nutrition Association, quoted in Food Management, March 2013“The most important book I’ve read recently.”

About the Author
William Bridges, PhD, is an internationally known speaker, consultant, and author. For nearly three decades, he has shown thousands of individuals and hundreds of organizations how to deal productively with change. He lives in Mill Valley, California, with his wife.

Most helpful customer reviews

168 of 172 people found the following review helpful.
Answers the question: Why most organizational change fails?
By Desert Husker
William Bridges is one of the world's leading experts in the area of managing the human side of change. Bridges originally introduced the notion of "transition" in his first book, Transitions: Making Sense of Life's Changes (1980), which was a primer on coping with the tumultuous life changes we all face on a personal level. In Managing Transitions, Bridges applies the concept of transition within the context of organizational change.
Bridges asserts that transition is not synonymous with "change." A change occurs when something in the external environment is altered. In an organizational setting this would include changes in management, organizational structure, job design, systems, processes, etc. These changes trigger an internal psychological reorientation process in those who are expected to carry out or respond to the change. Transition is this internal process that people must go through in order to come to terms with a new situation. Unless transition occurs, change will not work.
Bridges believes that the failure to identify and prepare for the inevitable human psychological adjustments that change produces is the largest single problem that organizations encounter when they implement major change initiatives.
Unfortunately, many managers, when confronted with predictable change-induced resistance by those charged with implementing a change, respond in punitive and inappropriate ways that only serve to undermine the change effort. Due to their lack of understanding of transition, they do not possess the skills to facilitate it effectively.
Leaders and managers often assume that when necessary changes are decided upon and well planned, they will just happen. Unless the transition process is handled successfully by management, all that careful decision making and detailed planning will matter little.
We must face the fact that for a change to occur, people must own it. Unless people go through the inner process of transition, they will not develop the new behavior and attitudes the change requires. Change efforts that disregard the process of transition are doomed.
Bridges presents the reader with a simple three-phase transition model that eliminates much of the mystery surrounding the human side of change. He then provides would-be change agents with a series of checklists that serve as a road map for managing transitions in the real world.
Both research and experience remind us that although a change can be implemented quickly, the psychological process of transition takes time. Transitions can take a very long time if they are not well managed. Few organizations can afford to wait that long for the results.
The good news is that leaders can learn basic transition management strategies. Armed with these skills, they can lead employees through complex and difficult changes with renewed energy and purpose, and can actually accelerate the process of transition.
With as many as half of all major organizational change efforts failing, leaders must learn new strategies and skills that will increase the odds of success. Bridges has provided us with a toolkit for managing the human side of change that is well worth considering.

63 of 66 people found the following review helpful.
The first step of any project should be to read this book.
By A Customer
The main message of this book - "Never lose sight of the fact that is not so much that you are starting something new but it is that you are stopping something old". The something old that you are stopping is the system that people have used for years. It might be the worlds worst system but it was theirs and you are going to take it away and replace it with something they neither understand or have been a part of selecting. This book helps you deal with that issue. Read it first - then start re-engineering.

44 of 49 people found the following review helpful.
Practical, tactical and easy to follow. Invaluable.
By K. Brick
This books helps one get one's arms around the "soft" - but most difficult - side of change. I cannot tell you how many brilliant implementation plans fail because consultants and organizations did not plan ahead and take into account the material covered in this book. Checklists and clear descriptions help even the most analytical types understand the human side of change and tactics needed to make change successful. I recommend this book to all my friends - from McKinsey consultants to ministers and non-profit managers.

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Minggu, 19 Juni 2011

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  • Published on: 1600
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Atlas of Forensic Pathology: For Police, Forensic Scientists, Attorneys, and Death Investigators, by Joseph A. Prahlow, Roger W. Byard

The Atlas of Forensic Pathology, For Police, Forensic Scientists, Attorneys and Death Investigators is a Major Reference Work that is specifically is designed for non-pathologists who normally interact with forensic pathologists. Chapters 1 through 6 will provide background information regarding medicine, pathology, forensic pathology, death investigation, cause, manner and mechanism of death, death certification, and anatomy and physiology. The next 3 chapters will deal with general topics within forensic pathology, including the forensic autopsy, postmortem changes and time of death, and body identification. Chapters 10 through 20 will detail the major types of deaths encountered by forensic pathologists, including natural deaths, drug/toxin deaths, blunt force injuries, gunshot wounds, sharp force injuries, asphyxia, drowning, electrocution, temperature-related injuries, burns and fires, and infant/childhood deaths. The final chapter includes brief descriptions dealing with various miscellaneous topics, such as in-custody deaths, homicidal deaths related to underlying natural disease, and artifacts in forensic pathology. This atlas differs from competition in that no atlas currently exists that address material for non-pathologists (detectives, forensic entomologists and pathologists), who normally interact with forensic pathologists. The book will present such images that are or interest to not only forensic pathologists but also of interest to odontology, anthropology, crime scene investigators, fingerprints specialists, DNA specialists and entomologists, etc. The competing atlases present images of interest mostly to medical examiners, forensic pathologists and pathologists and consist mostly of wounds, and trauma with some coverage of diseases. The color photographs will come from the collection of over 50,000 slides in the Adelaide Australia collection and some 100,000 slides from the collection compiled by Dr. Prahlow that includes slides from Cook County, Indianapolis, and North Carolina.

  • Sales Rank: #17288312 in Books
  • Published on: 2013-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Hardcover
  • 906 pages

Review

From the reviews:

“This is an excellent text on forensic medicine and pathology, touching upon blunt and penetrating trauma, in addition to toxicology and poisons. This book deserves a place on the desk of every coroner, police/sheriff official, and pathologist with any kind of interest in Forensics. This doubles as a textbook combined atlas of Forensic Pathology.” (Joseph J. Grenier, Amazon.com, November, 2013)

From the Back Cover

.

About the Author

Roger Byard

Professor Roger Byard is currently the Marks Professor of Pathology at the University of Adelaide, and Senior Specialist Forensic Pathologist at Forensic Science SA in Adelaide, Australia. He is also a pediatric pathologist. Prof Byard qualified in medicine in Australia in 1978 (University of Tasmania, MBBS) and obtained a Canadian medical qualification in 1982 (LMCC). He holds fellowships in Anatomical Pathology in Canada (FRCPC), the United States (FCAP), the United Kingdom (FRCPath) and Australia (FRCPAHon). He was a Foundation Member of the Australian College of Legal Medicine and is a Foundation Fellow of the Faculty of Forensic Medicine of the Royal College of Physicians (FFFLM). He has also obtained a certification in Family Medicine with the Canadian College of Family Physicians (CCFP). He has two higher degrees: a Doctor of Medicine (MD) and a Master of Medical Science (MMedSci), both from the University of Adelaide.. Prof Byard has published or has in press over 460 papers in peer-reviewed journals, many of which deal with natural, accidental and homicidal causes of sudden death. He has also presented or coauthored over 300 papers that have been presented at national and international meetings. He has written a text on sudden childhood death and has coedited a text on sudden infant death syndrome (SIDS) and the four volume Encyclopedia of Forensic and Legal Medicine. He is Editor-in Chief of the international journal Forensic Science Medicine and Pathology.

Joseph A. Prahlow, MD

Dr. Prahlow is a Forensic Pathologist at the South Bend Medical Foundation and a Professor of Pathology at Indiana University School of Medicine - South Bend at the University of Notre Dame, in South Bend, Indiana. He received his undergraduate education at Valparaiso University, attended medical school at Indiana University, completed his pathology residency at Wake Forest University in Winston-Salem, North Carolina, and participated in a forensic pathology fellowship at the University of Texas-Southwestern Medical Center in Dallas, Texas. He is Board-Certified by the American Board of Pathology in Anatomic, Clinical, and Forensic Pathology. His professional interests include teaching as well as presenting and publishing forensic pathology research. He has published more than 70 peer-reviewed manuscripts in medical/scientific journals, was an assistant editor for one forensic pathology textbook, editor for another, and recently authored a text entitled Forensic Pathology for Police, Death Investigators, Attorneys, and Forensic Scientists. Dr. Prahlow has presented research at numerous national meetings, and he has been an invited speaker to a variety of local, state, national, and international meetings. Dr. Prahlow is active in a number of professional organizations, including the National Association of Medical Examiners, the American Academy of Forensic Sciences, the College of American Pathologists, and the American Society for Clinical Pathology. In his free time, Dr. Prahlow enjoys family life with his wife and 5 children.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Forensic Pathology Atlas and Textbook
By Joseph J Grenier
Title: Atlas of Forensic Pathology

Publisher: Springer, New York, New York

Reviewer: Joseph J Grenier MD PhD

This is an excellent text on forensic medicine and pathology, touching upon blunt and penetrating trauma, in addition to toxicology and poisons. This book deserves a place on the desk of every coroner, police/sheriff official, and pathologist with any kind of interest in Forensics. This doubles as a textbook combined atlas of Forensic Pathology. It is beautifully illustrated but is adult/restricted in nature. The trauma is difficult to look at and may shock the general audiences.

0 of 0 people found the following review helpful.
This helped me be a better educato for my paramedic students
By Christine
Expensive book, but VERY fascinating and VERY educational. This helped me be a better educato for my paramedic students.

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  • Sales Rank: #1636912 in eBooks
  • Published on: 2013-12-25
  • Released on: 2013-12-25
  • Format: Kindle eBook

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0 of 0 people found the following review helpful.
complete waste of money
By Amazon Customer
no zero star option, complete waste of money, just had mostly poorly copy and pasted images with very little explanation.

0 of 1 people found the following review helpful.
RollerBlading / rollerblading ramps
By Amazon Customer
RollerBlading.com (CIS) wants to know if are rollerblade ramps to build in this book?

1 of 6 people found the following review helpful.
The Beginners Guide to Building Ramps
By Vikki I. George
this book is great.
I like to sk8 and this book is kind of good for that. But I never read it because Im going to do that right now. Now Im giving it 5 stars. WOAH

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Jumat, 17 Juni 2011

[L386.Ebook] PDF Ebook Not Long Ago, by Susan A. Royal

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Not Long Ago, by Susan A. Royal

While doing research for a novel set in the Middle Ages, Erin and her employer, March, are transported to a time where chivalry and religion exist alongside brutality and superstition. Things are not quite right at the castle, and Erin and March feel sure mysterious Lady Isobeil is involved. Erin must cope with crop circles, ghosts, a kidnapping and death before the truth of her journey is revealed.
Forced to pose as March’s nephew, Erin finds employment as handsome Sir Griffin’s squire. She’s immediately attracted to him and grows to admire his courage, quiet nobility and devotion to duty. Yet, she must deny her feelings. Her world is centuries away, and she wants to go home. Despite that, Erin can’t stop thinking about her knight in shining armour.

  • Sales Rank: #1192585 in eBooks
  • Published on: 2012-06-22
  • Released on: 2012-06-22
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Worth the purchase!!! Has something for everyone!!!
By Carrie Anderson
I enjoyed this book from the first page. It grabbed me from the first sentence. I was able to lose myself in the many great characters and found that there was so much in this book that it is hard to catagorize! It has enough adventure to keep you excited, enough mystery to keep you intrigued, and of course there's a love interest for the main character Erin. This love, however, doesn't come easy...but what good love story goes off without a hitch? Not Long Ago has a great flow to it and is fill with characters that you find yourself invested in. I never had a point where I felt a need to skim through to "get to the good parts". This is one of those books that when you get to the end you are a little sad because you don't want it to be over. There better be a sequel!!!!SOON! Buy it, You won't be disappointed!

1 of 1 people found the following review helpful.
Almost perfect
By Rosemary43
Most of the the time traveling romance out there leave me cold. Usually, the heroine is a modern woman who travels back in time is either a Mary Sue type who leaves everyone around gaping in awe or a simpering idiot, but for some reason, the hero adores her anyway. Happily, you don't have either of these types in this one. When the heroine goes back, she is able to adapt and it is as plausible as it can be under the circumstances. Time spent in the modern world is kept to a minimum and the medieval world is explored thoroughly, which is really a delight. The ending was trite, and there seemed to be very little work done on it. I would hope with the next book that Ms. Royal will explain her ending more in depth.

1 of 1 people found the following review helpful.
Loved It!
By Jaylin
I finished this book in one day because I simply couldn't put it down. It kept me engaged and I felt like I was really there with all the characters, rooting for them and feeling their emotions. The author really described the scene to the point that if I closed my eyes, it was like I was there myself. The story was very-well written and was easy to follow but definitely kept me on my toes, never knowing what was going to happen next. It's an unconventional love-story with lots of surprises and is definitely a must-read! You won't be disappointed! :-)

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Kamis, 16 Juni 2011

[R958.Ebook] Download Ebook The Colossus and Other Poems, by Sylvia Plath

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The Colossus and Other Poems, by Sylvia Plath

With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

  • Sales Rank: #171831 in Books
  • Published on: 1998-05-19
  • Released on: 1998-05-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.98" h x .29" w x 5.19" l, .26 pounds
  • Binding: Paperback
  • 96 pages

Review
"[Her poems] have that exquisite, heart-breaking quality about them that has
made Sylvia Plath our acknowledged Queen of Sorrows, the spokeswoman for our most
private, most helpless nightmares. . . . Her poetry is as deathly as it is impeccable;
it enchants us almost as powerfully as it must have enchanted her." --Joyce Carol Oates,
The New York Times



"Sylvia Plath's eye is sharp . . . and her wits responsive to what she sees." --Richard Howard,Poetry

"...The Colossus, which appeared earlier in England to unusual acclaim [was] her first volume to be published in America. Certainly the praise bestowed on her by British critics is warranted; Sylvia Plath is indeed a rare talent and a consummate craftsman...her powerful poems crackle and smolder with energy."--Guy Owen, Books Abroad

"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poet. She simply writes good poetry."--Al Alvarez, London Observer

From the Inside Flap
With this startling, exhilarating book of poems, which was first published in 1960, Sylvia Plath burst into literature with spectacular force. In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

From the Back Cover
"[Her poems] have that exquisite, heart-breaking quality about them that has
made Sylvia Plath our acknowledged Queen of Sorrows, the spokeswoman for our most
private, most helpless nightmares. . . . Her poetry is as deathly as it is impeccable;
it enchants us almost as powerfully as it must have enchanted her." --Joyce Carol Oates,
The New York Times

"Sylvia Plath's eye is sharp . . . and her wits responsive to what she sees." --Richard Howard,Poetry

"...The Colossus, which appeared earlier in England to unusual acclaim [was] her first volume to be published in America. Certainly the praise bestowed on her by British critics is warranted; Sylvia Plath is indeed a rare talent and a consummate craftsman...her powerful poems crackle and smolder with energy."--Guy Owen, Books Abroad

"She steers clear of feminine charm, deliciousness, gentility, supersensitivity and the act of being a poet. She simply writes good poetry."--Al Alvarez, London Observer

Most helpful customer reviews

12 of 14 people found the following review helpful.
Plath's model of poetic craft
By Paul-John Ramos
In a well-known 1962 radio interview with Peter Orr of the British Council, Sylvia Plath downplayed her achievements in 'The Colossus' by explaining that she was 'bored' with the poems. By this time, she had entered the period of freer forms and dazzling imagery that fueled 'Ariel,' a volume now securing her legacy.

Plath died at a young age and might have changed her mind about 'The Colossus' poems had she lived long enough to reevaluate them. Fortunately, her public sees a great deal of the collection's value, at least in terms of its refinement and precision. Even when disregarding its subject matters, 'The Colossus' can be viewed as a woman's treatise on the poetic art.

First published in 1960, 'The Colossus & Other Poems' offers forty titles, many of which were written at the Yaddo artists' colony in Saratoga Springs, New York, and published in such magazines as The New Yorker, The Atlantic Monthly, and Encounter. The poems do not follow a specific order, but are arranged to supply contrasts in mood. Several of Plath's best known poems, including 'Night Shift,' 'The Colossus,' 'The Disquieting Muses,' 'The Beekeeper's Daughter,' and 'The Stones,' can be found in this 84-page collection.

On the surface, Plath's early poetry looks na�ve. Her stanzas are always flush left with capital letters. The number of lines per stanza is usually consistent. Her metrics are flawless. But when examining the poems repeatedly, it becomes clear that Plath's work has manifold meanings; how deeply we see is based on how deeply we're willing to look. Even in simple narratives like 'Sow,' 'The Bull of Bendylaw,' and 'Snakecharmer,' Plath seems to be winking at us through her underlying ideas on human relationships.

Perhaps the strongest element of Plath's verse is its compactness. For such a range of images and emotions, her poems are quite short, rarely lasting beyond two pages. By her mid-to-late twenties, Plath had already disposed of excess, working powerful ideas into taut lines and stanzas. She had also completely mastered techniques such as 'internal' rhyme, alliteration, and enjambment, helped by her love of Shakespeare, Donne, Yeats, Auden, and other immortals.

Plath's choice of 'The Colossus' as her focal poem is interesting, since female oppression does not seem a prevailing theme of this volume. 'The Colossus' is a poem of thirty lines, the first-person account of a woman who must serve as caretaker to the Colossus of Rhodes, a crumbling monument for god Helios. This poem foresees the later Plath of 'Daddy,' 'Lady Lazarus,' and 'The Moon and the Yew Tree,' where she openly rebels against a society that has confined women to limited roles.

Signs of the later Plath are also noticeable in poems such as 'Lorelei,' 'The Ghost's Leavetaking,' 'Full Fathom Five,' and 'The Stones.' These poems are intensely personal, stem from Plath's distinctly feminine voice, and seamlessly combine the real with the subconscious. The only factor working against this volume is the repetitiveness of Plath's imagery as her poems roll on: we are shown oceans, the Moon, and rocks a few times too many. Still, this can be forgiven with the variety of form and approach that Plath offers us. Even if we are looking at a sea or rock for the umpteenth time, we are never looking at it in exactly the same way.

'The Colossus & Other Poems' is too frequently judged as a testing ground for 'Ariel' rather than as a mature collection in its own right. The fact that 'Ariel' became a posthumous sensation hasn't helped 'The Colossus' at all, but it has luckily held its ground amongst readers. I have to claim myself as a member of the group who prefers these poems over 'Ariel.' As a person interested in new ways to utilize old ideas, I am fascinated by how Plath used strict forms as a foundation for her modern creative energies.

Those who have read 'The Colossus' may recall a Vintage softcover edition with blue and orange bars on its cover. In 1998, Vintage International made cosmetic changes; while the inside retains its large typeface, the cover is now in orange, black, and cream with a famous photograph of Plath sitting with her typewriter atop a stone barrier in Yorkshire. This edition and past releases are available just about everywhere, along with her 'Ariel' poems, prose, and published journals.

6 of 6 people found the following review helpful.
does not make the art of writing good poems seem easy
By J. Le
The Colossus," from what I understand, was Plath's first published collection of poetry. During this early phase of Plath's career, she still treated the act of writing poetry as a laborious and painstaking process, often diligently lookig up words in the thesaurus and then inserting many synonyms of one word into a single composition. This rather pedantic attitude toward poetry shows in these poems, many of which devoutly adhere to difficult rhyme schemes (albeit frequently using slant rhymes) and all of which are marked by a studied attention to detail, both visual and sonic. These poems simply don't *soar* the way the free-verse poems in "Ariel" (Plath's second book) do; they are just not as vibrant or as lively as her later work. These are bleak poems, characterized by a wealth of vivid tactile detail, but somewhat lacking in color and movement. Plath frequently uses the terza-rima rhyme scheme that Dante patented, as though to suggest that life, for her, is a slow, laborious plod into (or through?) hell. In this book, Plath shows that she can write good poems, but she does not make the art of writing good poems seem easy.

I do not, however, mean to imply that this is not a useful book for aspiring poets to read. It is, doubtless, a very important book to read if one wishes to understand how Plath developed into the brilliant, oracular voice that spouted "Ariel." And since Sylvia Plath started writing poetry seriously at a very early age, it is perhaps unfair to dismissively refer to this book -- which she published at the ripe old age of 25 -- as her "early work." There are many remarkable things about this book, not the least of which is the way Plath elevates mundane topics (e.g., men working the night shift, or prize pigs) to the level of high poetry, armoring them with an impervious Dante-esque dignity. To Plath, even the smallest things in life are worthy of attention.

17 of 18 people found the following review helpful.
Achieving Harmony through Conflict: Plath's Word-Sculptures
By Thomas E. Defreitas
Sylvia Plath's initial volume of poetry is very much in the formalistic style that was prevalent in the 1950s, but she brings to verse-making a "diction that is galvanized against inertia" (to quote Marianne Moore in a different context), a heavily alliterative, percussive idiom in which we discern kinship to Dylan Thomas and Gerard Manley Hopkins.
In "Hardcastle Crags," we have an analogue for a woman's heels against the pavement: "Flintlike, her feet struck / Such a racket of echoes." We have the slovenly slush of the tide at Point Shirley, where the poet's grandmother "kept house / Against what the sluttish, rutted sea could do." We have in other slant-rhymed terza-rima, and intricate stanza shapes reminiscent of Richard Wilbur and his lyric called "Beasts."
And has anyone captured the somnolent wakefulness of "the chilly no-man's-land of five o'clock in the morning" better than Sylvia Plath in "The Ghost's Leavetaking"?
There are poems about mushrooms, moles, and men in black. There is a homage to the artist Leonard Baskin, renowned as a maker of woodcuts. A keen visual sense in these poems leads us not to be surprised when we learn that Plath worked well as a painter of watercolours.
Her second pre-posthumous volume, "Ariel," is perhaps more famous for its unselfsparing chronicle of a crashing marriage and of suicidal depression. Its fiercely unfettered cadences and controversial images attracted immediate attention, praise and opprobrium. But this reviewer feels that the poems of "Colossus" represent the superior achievement, possessing a technique and a sonic command surpassed by precious few poets of our age.

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Selasa, 14 Juni 2011

[P570.Ebook] Ebook Download Holt McDougal Biology New York: Regents Review Student Edition, by MCDOUGAL LITTEL

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Holt McDougal Biology New York: Regents Review Student Edition, by MCDOUGAL LITTEL

  • Sales Rank: #4046919 in Books
  • Published on: 2007-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .75" l,
  • Binding: Paperback
  • 336 pages

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