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Medea, by Euripides
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In the centuries since it was first performed, Euripides’s Medea has established itself as one of the most influential of the Greek tragedies. The story of the wronged wife who seeks revenge against her unfaithful husband by murdering their children is lodged securely in the popular imagination, a touchstone for politics, law, and psychoanalysis and the subject of constant retellings and reinterpretations.
This new translation of Medea by classicist Oliver Taplin, originally published as part of the acclaimed third edition of Chicago’s Complete Greek Tragedies, brilliantly replicates the musicality and strength of Euripides’s verse while retaining the play’s dramatic and emotional impact.�Taplin has created an edition of Medea that is particularly suited to performance, while not losing any of the power it has long held as an object of reading or study. This edition is poised to become the new standard, and to introduce a new generation of readers to the heights and depths of Greek tragedy.
- Sales Rank: #350174 in Books
- Published on: 2015-02-01
- Released on: 2015-02-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .40" w x 5.50" l, .0 pounds
- Binding: Paperback
- 72 pages
Review
“Lively. . . . Tragedy's (and comedy's) alternation of speech and song provide the . . . fundamental rhythmic dynamic, and a good translator will use different registers to capture this alternation. Here, Taplin is very successful, and many passages in the odes convey both the intensity of the lyric mode and the contrast with the spoken rhythm that precedes and follows.” (Bryn Mawr Classical Review)
“Taplin’s eminently readable version of this harrowing tragedy justifies his reputation as one of our foremost experts in dramatic criticism, whose pioneering efforts in illuminating ancient stagecraft remain indispensable today.” (Froma Zeitlin, Princeton University)
“Euripides’s influential and provocative Medea continues to be read, performed, adapted, and reinterpreted in multiple contexts across the globe. Taplin’s accessible and performable, yet vivid and poetic translation makes the play available to a modern audience while doing justice to both its complexities and its horrific power.” (Helene P. Foley, Barnard College, Columbia University)
“Taplin translates Medea into clear and contemporary English while reflecting well the different registers and tones that create the subtle texture of Greek tragedy. His version is eminently speakable, but also highly faithful to the original Greek, making it ideal for instructors and readers who want to study closely the specific metaphors and terms that carry the classic themes of this influential drama.” (Donald J. Mastronarde, University of California, Berkeley)
“Taplin’s volume offers the raw bones of a brilliant production.” (Francesca Middleton Times Literary Supplement)
From the Back Cover
Anthony Podlecki is professor emeritus at the University of British Columbia. Educated at Holy Cross College, Oxford University and the University of Toronto, he taught at Northwestern University and Pennsylvania State University before joining the staff of the University of British Columbia in 1975. He has translated various Greek tragedies and has written several books on Athenian history.
About the Author
Oliver Taplin is professor emeritus of classics at the University of Oxford. He is the author of many books, including�Greek Tragedy in Action,�Greek Fire,�Homeric Soundings,�and, most recently,�Pots and Plays. He has also collaborated on several contemporary theater productions.
Most helpful customer reviews
5 of 5 people found the following review helpful.
It does the job
By B. Lotfinia
Kwintner's edition, being part of the Bryn Mawr series, will get you through the Greek if you're approaching the text early in your career. Don't expect extensive information about the Medea myth or Attic tragedy or copious literary or cultural notes, since Kwintner focuses on morphology, vocabulary (she does seem fond, however, of pointing out the odd instance of chiasmus). Be aware that there are errors in the text: on at least two occasions there was a superfluous omega with iota-subscript instead of a space between two words. There were also parts in the commentary that my professor disputed, but make of that what you will. In terms of the book's physical construction, the spiral-binding is beyond irritating: I found it impossible to open and close with ease. The paper is also cheap, even by comparison to other entries in the BMC series: in terms of durability, it's somewhere between a newspaper and a photo-copy.
Considering the low price and target audience, these are forgivable faults, but skip this volume and proceed directly to Mastronarde's Cambridge edition if you don't need the linguistic hand-holding.
2 of 2 people found the following review helpful.
Find another edition if you can
By S.
Euripides' Medea is essential reading for any Greek student but Kwintner's edition doesn't really do it justice. There are a lot of bizarre typos in the Greek text -- and a beginning Greek student will have a hard enough time with a perfect text, let alone one that's been messed up by the editor. I bought this for a course and shortly afterward switched to the edition by Denys L. Page. Apparently the Cambridge edition is also very worthwhile.
4 of 6 people found the following review helpful.
Fine performance enriches Medea for listener
By A Customer
This fine production shows how hard Medea is to stage even in audio. The power is dissipated when Medea screeches her anger. Her quiet is stronger than her loud. Listening to this performance deepens our feeling for this great play.
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