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Journals, by Kurt Cobain
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The lyrics notebook and personal journals of Kurt Cobain, iconic singer of the band Nirvana.
Kurt Cobain filled dozens of notebooks with lyrics, drawings, and writings about his plans for Nirvana and his thoughts about fame, the state of music, and the people who bought and sold him and his music. His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.
- Sales Rank: #14457 in Books
- Brand: Alfred Music
- Published on: 2003-11-04
- Released on: 2003-11-04
- Original language: English
- Number of items: 1
- Dimensions: 10.80" h x .90" w x 8.50" l, 1.72 pounds
- Binding: Paperback
- 304 pages
Features
From Publishers Weekly
These journal entries by Nirvana front man Cobain record his thoughts from the late 1980s until his suicide in 1994. There are no real answers to his death to be found in this collection of scrawled notes, first drafts of letters, shopping lists, and ballpoint pen drawings, although the nature of Cobain's fame will make it hard for readers not to look for them. At best, a series of intimate portraits emerge: a kid from high school; a cousin and neighbor; a bright, sensitive, fun-loving and morbid punk rocker who became spokesman for a generation he largely detested. Cobain's journals remind fans of how unlikely was his rise to fame: here was a kid from Aberdeen, dreaming of being in the next Meat Puppets, not the next Doors, who signed on with an independent label named SupPop, and ended up changing the course of commercial radio. Cobain's early letters to fellow rockers in the grunge scene also remind readers of how small and close that community was, and of the fairly incendiary politics it had developed through the Reagan years. For a true punk believer like Cobain, the loss of that community was also the loss of himself.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
The question of how to package Cobain's journals (originally contained in more than 20 notebooks) became as important as whether they should be published. Courtney Love, Cobain's widow, ultimately decided to go with Riverhead, and her choice appears to have been a good one. Reproduced here are actual notebook pages, filled with the musician's drawings, thoughts, desires, moods, lists, and declarations, showcasing his many talents, as much as his penchant for morbidity, in an amalgamation of handwritings. While this collection offers another level of intimacy for fans who have already experienced the musician's life via records, news clippings, album art, and several biographies, no one involved with the project provides any context, and this absence is keenly felt. Notes are scattered and applied to things that are of little interest, while other confusing pieces are left without the slightest comment. Given Love's vigilance in all matters Nirvana and Cobain, it is surprising that she was not more hands-on here. Still, Journals remains a good complement to Charles R. Cross's Heavier Than Heaven, which references the notebooks, and a unique addition to popular music collections.
Rachel Collins, "Library Journal"
Copyright 2002 Reed Business Information, Inc.
From Booklist
Reading a diary offers a thrilling--and dangerous--immediacy ofaccess to the author's thoughts. When those private pages arepublished, however, the impersonality of typesetting and crisp marginsholds us at a distance. This volume, culled from more than 20spiral-bound journals the musician left behind after his 1994 death,brings us closer by using facsimile pages to present Cobain in his ownuneven handwriting. There are diary entries, song lyrics, guitarchords, comic strips, letters, drafts of promotional material, andstream-of-consciousness scrawlings. Although they're so varied thatit's hard to fill in a complete picture of the man, maybe that isthe complete picture: a fragmented, immensely talented individual whowas only able to put the pieces together during his cathartic, chaoticlive performances. Some writings reflect his efforts to get earlyversions of Nirvana on track professionally, and others reveal hisconflicting emotions at having succeeded in a musical milieu wheresuccess itself was often seen as the enemy. Some giveaways areentirely inadvertent--it's strangely touching that Cobain, whostruggled with heroin addiction, couldn't even spell the word properly(he added an e on the end). With a Nirvana greatest-hits CD justhitting the stores after protracted legal wrangling between his widowand his former bandmates, there's bound to be a resurgence of interestin the straw-haired lost boy of alternative rock. But after readinghis journals, you may conclude that the spotlight was the one thingthis artist didn't need. Keir Graff
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
11 of 11 people found the following review helpful.
APPROACH WITH RESPECT, THEN SMILE
By Helen Satterlee
If you want to know who Kurt Cobain was, this is a necessary piece of the complex puzzle to ingest. Yes it is an intrusion into the guarded secrets of this complicated man's mind. But guess what - he's not here to protest. Is it disrespectful to read a dead person's diary? It is if you're looking for something lurid [which is not in these Journals]. I do recommend doing some research first so that the undated entries make more sense. Listen to Nirvana's music and the pre-Nirvana music. There's a lot of early Kurt in here, the literally starving penniless musician. This is where the successful Nirvana came from. Look at performance videos, watch interviews. If you still find Nirvana interesting, still find Kurt Cobain worthy, then buy these Journals. He is smart, angry, funny, articulate, with a rare ability to stand outside himself and see himself clearly. He doesn't always like what he sees, both in himself and in the world, the music industry in particular. Oftentimes I will know a particular story as told by a band member or friend, then read his version in his Journals, and break up my insides with laughter. He really does crack me up, makes me smile so many times. Especially after reading the Journals, I wish I had known him, could have hung out with him, called him Friend. He is worth the effort.
5 of 5 people found the following review helpful.
"Im really bored with everyones concerned advice"
By J from NY
I don't think there's any doubt at this point that Kurt Cobain was a musical genius, and that he had more of a flair for the practical side of music shooting videos just as he wanted them shot and dealing with things than he is given credit for, paying tribute to his punk rock roots and very specifically the bands that meant the most to him (The Melvins, The Meat Puppets, Mudhoney) without once de-escalating the titanic rise of Nirvana.
These almost dadaistic journals, are replete Cobain's hatred of his parents' generation and their legacy while admitting his own willful apathy: "I like to complain and do nothing to make things better. I like to blame my parents generation for coming so close to social change then giving up after a few successful efforts by the media & government to deface the movement by using the Mansons and other Hippie representatives as propaganda examples on how they were nothing but unpatriotic, communist, satanic, inhuman diseases, and in turn the baby boomers became the ultimate, conforming, yuppie hypocrites a generation has ever produced." Cobain even goes so far as to write a fictive memory of a man who went to Woodstock and praises it without really know if he was there or not. At the same time, he writes about "The Who" so much that it's pretty obvious he enjoys their music even if he'd rather "blow his head off than become Pete Townshend". The sad thing is, I think grunge was even more wired to sell out than the hippie "movement".
The journals are replete with these kind of ironic contradictions. I don't think they are accidental; all of them fit into a sort of metatextual portrait of a man who saw things at such a distance from himself that when the reality of his blockbuster success hits home, the only defense mechanism he has left is the anger and apathy he started with. He talks with genuine passion about evils like racism, misogyny, and rape, and on the next page he deflates the seriousness of it by mocking Telly Savalas and recommending that the reader "check out his interviews for a cheap and immediate laugh." These fascinating, infinitely self-deceiving and almost Borgesian journals are puzzles in puzzles that spill out, like his lyrics, into bullets.
If Kurt Cobain wanted help, there is no evidence of that in these diaries except his eerie repetition of "I would rather blow my head off than...(become Pete Townshend, Robert Plant, etc.) It seems like an earnest chronicle of a short life with a wistful hope, every now and then, that someone would save him from his ultimate plan: to become a mega rock star and then burn out, just like the rock icons of his parents' generation. I have to wonder after reading all this if he even had a specific intention of playing a kind of joke--both on the music industry and the underground--by signing with Geffen for "Nevermind". He is slightly amused at his own horrible inner torment regarding being a "sellout". Heroin and deliberate irony as a way of life coupled with the kind of success Nirvana's music attracted are enough to kill anybody, even someone of his magnitude and especially a man of such painful empathy and sensitivity.
All of this, of course, has a personal root. In a brief letter to his father, he tells him very concisely that "I never sided with mother because of my complete contempt for you both growing up." He also depicts him, in a very well drawn and almost amusing cartoon, as a man who drinks beer and cries on his wife's stomach while talking about what a tough guy his son will be, what a wonderful wife beater he will mature into. Kurt's foot tears out of the womb, kicking him in the head.
No one should feel they are "intruding" on anyone when reading these journals. They start out with a invitation to plow in while "he's off working". A haunting record of a cultural prophet and musical genius who kept it together just long enough let all his contradictions kill him.
4 of 4 people found the following review helpful.
Nice to meet you...
By Haley Kupper
Since one can't exactly review this book for content because it is a man's journal who I'm sure had no intention of ever publishing, I will review the product itself and provide an insight on what you can expect when reading it.
The book's format is easy enough to explain - cover looks like an old notebook, pages are scans right out of an old notebook. This is a thick book! You have almost 294 pages. It also has nice dimensions and the quality of the scans are really great too. There is a Notes section at the end of the book that has a few of the journal entries transcribed for easier reading and also gives some identity to who the people mentioned in the journals are.
Reading this did feel voyeuristic, but it did not feel wrong. Of course it's going to feel different for everyone who reads it if they choose to do so. I went into this not knowing a ton about Kurt or Nirvana or the emergence of grunge. I was only 7 when Kurt committed suicide so I didn't become a fan of Nirvana until he had already been dead about 9-10 years, but I loved the music of Nirvana and recognized Kurt as a highly influential musician and artist. Reading "Journals" opened up entirely new, and very important, perspectives to me. Here are the most important two, briefly:
1 - Kurt Cobain was indeed a human being
2 - Kurt Cobain was absolutely hilarious, witty, smart, sarcastic, self-aware, and in love with music
Becoming familiar with Kurt in this way has made me appreciate the music of Nirvana even more. I highly recommend purchasing Journals (if you are comfortable with that), and getting to know Kurt through his own words and drawings.
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