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Supercharge your drawings with the power of photo reference!
Almost every professional comic artist uses photo reference. Finding really good photo reference is crucial to capturing accurate lighting, foreshortening and body language in your drawings. Sure, you can surf the 'net or flip through catalogs to find a few poses . . . or consult generic photo reference books with static poses and flat lighting. But to draw a character consistently and convincingly over an entire issue or series, you need a serious reference library.

You're holding in your hands over 1,100 awesome-quality, color photos?500+ in the book and 600+ on the CD-ROM?all created specifically for you, the professional or aspiring comic artist.

Inside you'll find:

• Handsome, muscular men and gorgeous, fit women in dynamic poses
• Extreme angles, foreshortening and complex body mechanics
• Poses including jumping, kicking, punching, standing, ducking, lifting, flying, sitting, smoking, drinking, kissing, screaming, laughing, cowering, shooting, sword-fighting . . . and more
• Superior lighting that creates dramatic, muscle-revealing shadows
• 7 fantastic art demos by professional comic artists

Unless you have a team of superheroes willing to pose for you, Comic Artist's Photo Reference: People and Poses will be the most important tool in your photo reference library. Get started today drawing the pictures that will launch or advance your comic book career!

• Sales Rank: #795252 in Books
• Brand: Brand: IMPACT
• Published on: 2006-05-24
• Original language: English
• Number of items: 1
• Dimensions: .45" h x 8.84" w x 10.92" l, 1.40 pounds
• Binding: Paperback
• 144 pages

Features

• Used Book in Good Condition

From School Library Journal
Adult/High School–This is a terrific book for all artists, not just those interested in comics. Professional artists demonstrate how to use photo references in drawing, what materials to use, and techniques needed to do studies and finish the work professionally. The photos show models in various action poses, alone and in pairs, with and without props, in capes and street clothes, and expressing several emotions. The only difference between this and a professional artist's photo reference book–and what makes it a perfect addition to a library or art classroom–is that the models are all clothed. The CD-ROM has the images from the book and can be used by groups working together.–Dana Cobern-Kullman, Luther Burbank Middle School, Burbank, CA
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Back Cover
Supercharge Your Drawings with the Power of Photo Reference!Every professional comic artist uses photo reference. You should too! Excellent photo reference is crucial to capturing accurage lighting, foreshortening and body language in your drawings. Sure, you can surf the 'Net or flip through catalogs to find a few poses and flat lighting. But to draw a character consistently and convincingly over an entire issue or series, you need a serious reference library.You're holding in your hands over 1,000 awesome-quality, color photos all created specifically for you, the professional or aspiring comic artist. Inside you'll find:

• Dynamic poses including jumping, kicking, punching, standing, ducking, lifting, flying, sitting, smoking, drinking, kissing, screaming, laughing, cowering, shooting, sword-fighting...and more
• Extreme angles, foreshortening, and complex body mechanics
• Superior lighting that creates dramatic, muscle-revealing shadows

Unless you have a team of superheroes willing to pose for you, Comic Artist's Photo Reference: People and Poses will be the most important tool in your photo reference library. Get started today drawing the pictures that will launch or advance your comic book career.�Includes CD-ROM. Easy to use - Mac & PC compatible.Includes 7 art demos by these top pro artists!

• Greg Land - X-Men, Birds of Prey
• Billy Tucci - Shi, Daredevil
• Paul Chadwick - Concrete, The Matrix
• Sean Chen - Wolverine, Iron Man
• Matt Haley - Firestorm, GI Spy
• Mitchell Breitweiser - Drax, Agent X
• Fernando Ruiz, Betty & Veronica

About the Author
Buddy Scalera is a comic and graphic novel writer who's worked on Marvel Knights and X-Men projects for Marvel as well as titles for Mad Science Media, Penny Farthing Press and more. He lives in Paramus, New Jersey.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Good Reference but Has Flaws
By psigar
Since I ordered all three books (Men and Boys, Women and Girls, and People and Poses) I have the same opinion on all three based on my use of them. I give all three books 4 stars and here's why:
The books do cover a lot of different poses/situations - fighting, flying, romance, weapons etc. I do feel they cover a good area for an artist but it doesn't cover every situation an artist might dream up(that would be an impossible task). One flaw is (imo) is the lack of some types of shots - for example pics taken from behind the model (regardless of category). Personally I wish the books had front, back, and sides of the main poses, if not for all poses in the books. Which brings me to the next (imo) flaw - the photos in the books are not on the accompanying cd - well not all of them. That should have been a no-brainer, but not having every photo in the books on the cd, (imo) cheapens the value of the package(books and cd) as a whole. I did enjoy the extra pics on the cd that aren't in the book. Those two flaws are the reason for the loss of star.
The big question is though can these books provide any help to an artist at all? Even though these books are showing their years, I believe they can(despite their shortcomings), no matter the skill level. If Mr.Scalera were to release a new series of photo reference books, I hope he would entertain the following insights:
In this day and age forgo the book format entirely. Make the books on DVD only - they are cheaper to produce and can hold a lot more info.
If you do make another book/dvd combo please make sure the dvd has all of the photos from the book.
How about a 360 degree model/pose on the dvd? I don't know how economical it would be for every pose on the disc but the addition of such would help.

1 of 1 people found the following review helpful.
Very good comic book reference
By Interesting Reader
Covers most basic comic book poses. You won't have everything in this book, but you have a whole heck of a lot. This is obviously not a beginner book. So if you're already decently skilled in figure drawing and are getting into comics or are an intermediate comic illustrator, this will help tremendously. Its a must have if you fall into those categories. If you are specifically looking for comic poses then this is a really good book. If not, you may or may not find this to be that good.

The male models were great they have ideal comic book type physiques. I read some complaints about the women models before I got the book. They are attractive don't get me wrong, but yes I agree one of them is a little too short and squat for comic book drawing. But its not a big deal, any decently skilled artist can adjust for anatomy. The other problem was the women were wearing socks in most all the photos, what gives? At least have some with bare feet, although the photos with boots was a good addition, lots of female comic characters wear boots. This book has almost everything. I would have like to give it 4.5 stars, but we can't so I round it up to 5.

PROS:
-lots of photos
-covers many basic comic book poses
-very good choice of male models
-many variations
-full color
-has accompanying CD which is very useful as well
-good value for the money

CONS:
-not for beginners
-pictures don't translate well into other forms of art
-female model have socks on in all the photos

1 of 1 people found the following review helpful.
Essential
By Ganapathy Subramaniam
One of things first things to do while getting started as an artist is to build as big a reference library as possible. The utility of the classic "morgue" can never be emphasized enough.

First it is an essential element in studying poses, people, expressions, and learning from it. Particularly for the self-taught, in the absence of regular life drawing, and drawing from models, the reference images are a great aid. Secondly and more practically it is essential for actually creating images.

All great artists including Alex Raymond, and Norman Rockwell drew from reference. Some from live models some from carefully arranged photographs. The reference files of the evergreen Herge will talk a ton about his art.

One can often get lost in the "How to draw" part of things, including figure drawing, that when it comes time to create a graphic, one struggles if attempted purely from memory. The secret is the richness of the morgue. One out to collect as much as images, of all kinds, photographs, drawings, paintings, etc of people, things, places, animals, in all possible situations. Today the internet has changed the way we think about reference. images are flooding the e-world. And search engines make it so easy.. all you need to do is ....ask!

Yet we need structured reference material, prepared in coherent manner for consistence. This book and the companion series is a truly essential ingredient in the practicing artist's book shelf. It offers a very good variety in terms of poses and expressions, and models. Great to get started. Pictures are well shot and presented.

It will add amazing amount of creative firepower, while trying to set up a scene, thinking up a pose, or while visualizing the muscular tensions for an action hero!

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A new book by a famous author is about the inner emigration which many Russians feel about their country, especially Muscovites. Also available by the author: Dukhless: Povest' o Nenastoiashchem Cheloveke (2006); Media Sapiens: Povest' o Tret'em Sroke (2006); Media Sapiens: Dnevnik Informatsionnogo Terrorista (2007); The Telki: Povest' o Nenastoiashchei Liubvi (2008); Vremia Geroev: Rasskazy, Esse (2008); R.A.B.: Antikrizisnyi Roman (2009)

• Sales Rank: #10180967 in Books
• Published on: 2012-01-01
• Number of items: 1
• Binding: Hardcover

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• Published on: 2006-05-01
• Binding: Paperback

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• Published on: 2014-02-24
• Original language: English
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• 308 pages

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[T496.Ebook] PDF Download American Dream: Three Women, Ten Kids, and a Nation's Drive to End Welfare, by Jason DeParle

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In this definitive work, two-time Pulitzer finalist Jason DeParle cuts between the mean streets of Milwaukee and the corridors of Washington to produce a masterpiece of literary journalism. At the heart of the story are three cousins whose different lives follow similar trajectories. Leaving welfare, Angie puts her heart in her work. Jewell bets on an imprisoned man. Opal guards a tragic secret that threatens her kids and her life. DeParle traces� their family history back six generations to slavery and weaves poor people, politicians, reformers, and rogues into a spellbinding epic.

With a vivid sense of humanity, DeParle demonstrates that although we live in a country where anyone can make it, generation after generation some families don’t. To read American Dream is to understand why.

• Sales Rank: #547189 in eBooks
• Published on: 2005-08-30
• Released on: 2005-08-30
• Format: Kindle eBook

Amazon.com Review
More than a decade after presidential candidate Bill Clinton floated the idea of ending "welfare as we know it," the changes to the system have become so accepted and entrenched that it is difficult to remember the heated controversy surrounding the issue of reform. Jason DeParle, a social policy reporter for The New York Times, forcefully brings the subject to life in American Dream, a moving and informed examination of the challenges, complexities, successes, and failures involved in fixing our nation's ailing welfare system. Tracing the lives of three women and their children as legislative changes are pushed through Washington and the state of Wisconsin, DeParle puts an extraordinarily human face on a subject that is too often prone to ideological oversimplification. As DeParle adeptly shows, their story "of adversity variously overcome, compounded, or merely endured ... embodies the story of welfare writ large."

The three compelling women at the heart of DeParle's narrative are vastly different temperamentally, yet they share the abstract qualities of strength and endurance, as well as extended family ties. DeParle paints their portraits with respect and sensitivity, and he provides a marvelous family history that reveals how "the story of welfare" is painfully "tangled in the story of race." Our glimpse at these difficult lives and the forces that profoundly shape them inspire an equal measure of hope and disappointment, and a large measure of outrage. As these remarkably resilient women struggle to raise their families, corruption is exposed in the very offices charged with implementing the newly adopted reforms. DeParle accepts that removing nine million women and children from the welfare rolls represents enormous progress. However, he simultaneously recognizes that we are dismally failing to confront a consequence of welfare reform: a new class of working poor. --Silvana Tropea

From Publishers Weekly
While campaigning for president in 1992, Bill Clinton vowed to "end welfare as we know it"; four years later, the much publicized slogan evolved into a law that sent nine million women and children off the rolls. New York Times reporter DeParle takes an eye-opening look at the controversial law through the lives of three black women affected by it, all part of the same extended family, and at the shapers of the policy. He moves back and forth between the women's tough Milwaukee neighborhoods and the strategy sessions and speeches of Clinton, former House Speaker Newt Gingrich, former Wisconsin Gov. Tommy Thompson and others. But the best parts of the book are its slices of life: DeParle accompanies the women on trips to the dentist, on visits to loved ones in jail, to job-training workshops and on travels to Mississippi. He offers few solutions for breaking the cycle of poverty and dependency in America, but DeParle's large-scale conclusion is that moving poor women into the workforce contributed to declines in crime, teen pregnancy and crack use.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In the years after 1996, when President Clinton signed welfare-reform legislation, nine million women and children left the country's welfare rolls. Though the exodus was applauded in Washington, the story of exactly how these families were faring remained, in DeParle's words, a "national mystery." DeParle spent these years in Milwaukee, welfare reform's unofficial capital, studying the lives of three former welfare mothers: Jewell, Opal, and Angie. The narrative pans across generations of poverty—the women's grandparents sharecropped cotton—while, in the present, results vary. Opal tumbles into crack addiction, but the others struggle ahead, ultimately earning nine and ten dollars an hour as nursing assistants; Angie even joins a 401(k) plan. They are welfare-reform "successes," but their lives remain precarious. When there isn't enough money, lights are turned off and children go hungry. "Just treading water," Angie says, surveying her progress. "Just making it, that's all."
Copyright � 2005 The New Yorker

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0 of 0 people found the following review helpful.
An authentic look inside real lives of women on welfare.
By Theresa Welsh
This book helped me find answers to a question I've wondered about since my years as a welfare case worker in Detroit way back in the 1960s. Yes, I have often wondered: What happened to all those Moms who used to get ADC checks and all the women who might have gotten them if Bill Clinton had not decided to "end welfare as we know it."

Did we create hordes of new poor and homeless people? Was "ending welfare" an act of cruelty towards the destitute, or was it a gentle shove for poor women into a working life?

The answer is complicated, but, surprisingly (at least to me), it appears to fall more into the positive side than as an act of abandonment of mothers in need. It turns out that women on welfare actually had more options than just collecting a welfare check. Many actually had jobs off and on that they did not report, and they also had boyfriends who contributed (they didn't report this either).

My employment as a case worker came while I was still in college; it was the 1960s and I was young and dumb. I patrolled a "zone" on the west side of Detroit where virtually every house had someone getting a government check. The houses were densely packed in this poor neighborhood, so I walked from one house to another to visit the mothers (and one father) on my caseload. I was somewhat shocked that virtually ALL the children were born out of wedlock (that was shocking to a young woman who had recently attended Catholic schools).

While the author traces the mothers of the three women whose lives he chronicles back to the James Eastland cotton plantation in Mississippi, in my own caseload, the women were much closer to the cotton fields. Many of them told me they had only gone to the third grade in school because they had to drop out to pick cotton. A substantial number of them were illiterate and signed their names with an X. They were less employable than Angie, Jewell and Opal in the book.

I wrote about my experiences as an ADC worker (then called simply "Aid to Dependent Children") and revisiting my old "zone" at my website (theseekerbooks).

I was impressed with the level of involvement the author had with the women whose lives he describes. He obviously became a factor in their lives as he spent time talking with them and ferrying them for visits to prisons holding various boyfriends. He liberally quotes the people he writes about (including the typical black way of speaking) and describes chaotic situations in their home. Clearly, he got to know them, and win their trust. This approach has the advantage of "making it real" through seeing the hardships and pain of poverty first-hand. But it can limit understanding the role of welfare to what can be gleaned from the situation of those whose lives he enters. Still, the story he tells is powerful, and there is much to learn from the experiences of Angie, Jewell, Opal and their offspring.

I share the author's surprise that it turned out that women on welfare (at least in the years of the 1990s when the "Personal Responsibility and Work Opportunity Reconciliation Act of 1996" -- the "end welfare" law -- was passed) could fairly quickly get jobs. In fact, many were already working, but just not reporting their income. It also became apparent that the women did not value the government check quite as much as the public thought they did. When you asked them to attend classes or do just about anything that might be an inconvenience, many just walked away and gave up their check. The law left it to the states to decide on time limits and work requirements to continue getting a welfare check, and there was a lot of talk about providing job training, but mostly it came down to "get a job."

But were these former welfare recipients better off when they were working as opposed to staying home with their kids? the answer is unclear. Certainly, their children had a hard time. Most were employed at such low pay that they were not better off financially, and many found themselves chronically behind on their rent and running out of food before payday.

But was there a benefit from "the dignity of work" itself? I found this question an interesting inversion of the basic premise behind ADC when I was a caseworker. The basic idea then was that children need their mothers in the home, taking care of them. Back in the 1950s and into the 1960s, the idea of a family was a man going to a job each day and a woman staying home and raising their children and, by the way, the man and the woman were married (to each other). That idea began changing in the 1960s, and by the 1980s it had morphed into the idea that a family was a man and woman (maybe married) raising children and both working to pay the bills. Bill Clinton thought children would be proud of a mother who worked (as his mother did)... and that work brought with it a pride in accomplishment.

All I can say about this is that times change. We have not actually abandoned the poor to having to manage on minimum wages. The "earned income credit" at tax time has been a tremendous help (and cheap, with no big bureaucracy needed to administer it). We still have food stamps, some states have expanded Medicaid, and there are various programs to help with child care. There is no doubt that single Moms living on minimum wages have a hard time, and (in my humble opinion) should receive more help. I am glad to see so much support for an increase in the minimum wage.

The author also points out that programs that help both men and women can do a lot; the children he got to know suffered without their fathers, and the fathers themselves got little help to find real employment. Most of the men in the lives of these three women ended up dealing drugs and some went to prison. Helping women is a fine idea, but helping families (married or not) is an even better idea.

Jason DeParle has given us a wonderful book based on the experiences of real people whose lives were touched by the former welfare system and by its ending. If you have ever wondered what happened to all the people who used to get welfare checks, I highly recommend "American Dream" and wonder what happened to Angie, Jewell and Opal since this book first appeared in print in 2004.

5 of 6 people found the following review helpful.
A great book about some awful realities
By James Gerofsky
American Dream is truly an excellent read, one of the best books that a wonk like me has seen in a long, long time. What a great idea: discuss a public policy issue by showing what does and doesn't happen to a handful of real, living people being affected by it. Are there books like this about abortion, the death penalty, school vouchers, etc.? I hope that someone is writing a similar book right now about the black male problem. As Mr. DeParle makes clear, the problems encountered by black females and children coming off welfare won't truly be solved until our nation does something to help keep black males off the streets and out of jail.

To summarize the welfare debate in a nutshell, conservatives had been complaining for four decades that the liberalized AFDC welfare system fostered dependency amidst its recipients and was the driving factor behind family breakdown and continuing poverty. Liberals were able to fight these contentions off, arguing correctly that most welfare beneficiaries were women who faced a legitimate crisis (divorce, injury, sickness, etc.) and used welfare for a short period in order to get their lives together. They were successful until about 1983, when a study performed by two bona fide Harvard liberals (David Ellwood and Mary Jo Bane) showed that although the majority of welfare recipients were short-term, one-time users, a small portion of recipients did stay for a long time, and thus absorbed a disproportionate share of federal and state welfare funding. Conservatives seized on this and gained political momentum, eventually putting President Clinton in a position where the status quo was no longer viable. Thus, in 1996, "welfare as we know it" came to an end, replaced by a time-limited, "work first" system.

DeParle did not introduce a "typical" AFDC recipient in this book, i.e. one who went on welfare during a family crisis, used the money to get her life back together, and got off for good within 20 months. (It's too bad that he didn't; it would have added a bit of depth, showing what's at stake when you let states control the entry gate.) He found three women who could have been poster children for the anti-welfare conservatives (posters with bulls-eye rings, that is). He then showed us some surprising things about them, surprising to a white suburbanite like me anyway. First off: they did work. Conservatives said that welfare made them not want to work, and bureaucrats said that they couldn't work and receive welfare. But work and receive welfare they did. Second . . . . well, I won't let all the cats out of the bag. But Angie, Jewell and Opal showed us that both the conservatives and liberals were wrong, and neither group really understood women like them (and probably still don't).

DeParle gets extra points for tracing the family roots of his three main characters back to the Mississippi delta in the days of slavery and reconstruction. It's rather clear that a lot of the problems and patterns of life that affect women like Angie, Jewell and Opal can't be seperated and considered independently of the bad old days. He also brings the story up to date (2004), where the children seem to be succumbing to the same life patterns of struggle and disadvantage that overtook their mothers and fathers. Having full-time working mothers does not appear to be the magic bullet for the next generation.

DeParle concludes with some simple, common sense recommendations for the future. He doesn't suggest that we go back to the days of AFDC. He couldn't. The welfare rolls were cut by more than half in the late 90s and children are not starving in the streets . But the question of whether the children of poverty now have a better chance to escape the fate of their parents, or even get by as well as they did, is definitely in play. In 1991, David Ellwood, responding to conservatives who co-opted his study on welfare dependency, suggested a deal: take unlimited welfare away, but make work worthwhile for those with minimal education and job experience, i.e. those headed for $6 or $7 an hour "careers" at McDonalds or a nursing home. This deal would involve government support for child care, transportation, health insurance, after school programs, wage supplements and job advancement training. So far, Ellwood's deal has been implemented mostly on the "take away" side. Other than an enhanced earned income tax credit, not much has been provided to "make work worthwhile" for low-wage workers in the post-unionization era. DeParle makes a strong case that it's time to make good on that side of the deal.

Just a few of many unforgettable vignettes in American Dream: a mother sending her teenage daughter to spend a "getaway weekend" with a friend of the family who happens to be a prostitute; a teenage boy with few male role models who dreams of becoming a pimp after having one around the house; another teenage boy who won't forgive his father for refusing to turn states evidence against his colleagues in a drug gang encounter where a teen girl was accidentally shot and killed (thus gaining a long jail sentence); a woman succumbing to crack, and yet having more and more children (despite the end of welfare as we knew it); a live-in boyfriend who dies after having a car battery dropped on his head by an angry woman who broke into the house; rampant confusion, chaos, and melancholia amongst the staff of the leading work placement agency; greed and corruption amidst its management; and yet, a case worker who, for just a little while, decides to overcome it all by dreaming the impossible dream and tilting at a windmill-like system on behalf of his clients.

Kudos, Mr. DeParle, for a job well done. If only we could say something similar to the architects of "post welfare".

16 of 19 people found the following review helpful.
Powerful insight and a great read
By Bennett Johnston
I have long been interested in social policy and the politics of welfare. That said, I don't read alot of books on the subject anymore--most don't justify the investment of time, attention and money. This book stands out because of Deparle's extraordinary ambition in tracing the roots of intergenerational poverty; his excellent analysis of a broad, complex subject; and his exceptional skills as a writer and storyteller. This book is a good read!

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